School of Languages, Cultures and Linguistics
Emeritus Professor of Japanese Studies
Japan Research Centre
Emeritus Research Associate
Centre for Translation Studies
Member
Andrew Gerstle, a Fellow of the British Academy, was born in the USA and studied Japanese culture at Columbia, Waseda (Tokyo) and Harvard Universities.
A specialist in drama, literature and popular culture of the Tokugawa era. He taught at the Australian National University from 1980-1993, where he became Professor. From 1993 until his retirement in 2019 he was Professor of Japanese Studies at SOAS, University of London. He published his first book on the playwright Chikamatsu Monzaemon (1653-1725) in 1986, and later a translation of five Chikamatsu plays.
He has led international research projects in Australia and the UK, resulting in many edited/joint publications. In 2005 he co-curated an exhibition on Osaka Kabuki at the British Museum, which went on to the Osaka Museum of History and the Waseda University Theatre Museum in Tokyo. This led him into the visual culture of 18th-19th century Japan where he encountered shunga (spring pictures), Japanese traditional erotic art.
Realizing its importance and the taboo in modern Japan over it, he organized a research project that led to the British Museum exhibition in 2013, 'Shunga: Sex and Pleasure in Japanese Art', which subsequently inspired the first Shunga exhibition in Japan in 2015, thereby breaking a modern taboo.
The supernatural in pre-modern Japanese illustrated fiction
Publications
Onna dairaku takara-beki (Great pleasures for women and their treasure boxes), (Tsukioka Settei 3 "Onna dairaku takara-beki' : Kinsei enpon shiryō shūsei VI (Collected Erotic Texts of the Early Modern Period VI)
Hayakawa, Monta and Gerstle, Andrew (2018). Kyoto, Japan: (International Research Center for Japanese Studies)
Kinsei enpon shiryo shusei IV: Tsukioka Settei 1: 'Onna shimegawa oeshi-bumi. [Collected Erotic Texts of the Early Modern Period IV: Tsukioka Settei 1: ‘Love Letters and a River of Erect Precepts for Women’]
Gerstle, Andrew (2007). Kyoto: (Kokusai Nihon Bunka Kenkyu Centre)
Shunga: Sex and Humor in Japanese Art and Literature
Gerstle, Andrew, (eds.) and Clark, Timothy, (eds.) (2013). Kyoto, Japan: International Research Center for Japanese Studies. (Special Issue of Japan Review, No. 26)
Gerstle, Andrew and Cummings, Alan (2017). In: Guo, Nanyan, (ed.), 世界の日本研究2017: 国際的視野からの日本研究. Kyoto: International Research Center for Japanese Studies, pp 128-147
「春画における男色の描写」‘The Representation of male-male Sex in Shunga’
Gerstle, Andrew (2016). In: National Institute of Japanese Literature, Tokyo, (ed.), 『もう一つの日本文学史』(An Alternative History of Japanese Literature). Tokyo: Bensei Shuppan, pp 149-170
Gerstle, Andrew and Cummings, Alan (2016). In: Cortazzi, Hugh, (eds.) and Kornicki, Peter, (eds.), Japanese Studies in Britain: A Survey and History. Folkestone: Rennaisance Books, pp 187-211
‘Representing Theatre: Text and Image in Kabuki and Bunraku’
Gerstle, Andrew (2015). In: Shirane, Haruo, (eds.), Suzuki, Tomi, (eds.) and Lurie, David, (eds.), Cambridge History of Japanese Literature. Cambridge, UK: Cambridge University Press, pp 424-436
‘Parodhi shunga no igi’Significance of Parody Shunga
Gerstle, Andrew (2015). Proceedings of the 38th International Conference on Japanese Literature. Tokyo: National Institute of Japanese Literature, pp 239-259
Gerstle, Andrew (2012). In: Folan, Lucie, (ed.), Stars of the Tokyo Stage: Natori Shunsen’s kabuki actor prints. Canberra: National Gallery of Australia, pp 15-19
Creating Celebrity: Poetry in Osaka Actor Surimono and Prints
Gerstle, Andrew (2011). In: Kimbrough, Keller, (eds.) and Shimazaki, Satoko, (eds.), Publishing the Stage: Print and Performance in Early Modern Japan. Boulder: Center for Asian Studies, University of Colorado Boulder
Gerstle, Andrew (2002). In: Shirane, Haruo, (ed.), Early Modern Japanese Literature: An Anthology 1600-1868. New York: Columbia University Press, pp 301-313
Gerstle, Andrew (2002). In: Shirane, Haruo, (ed.), Early Modern Japanese Literature: An Anthology 1600-1868. New York: Columbia University Press, pp 435-448
Gerstle, Andrew (2002). In: Shirane, Haruo, (ed.), Early Modern Japanese Literature: An Anthology 1600-1868. New York: Columbia University Press, pp 392-410
Gerstle, Andrew (2002). In: Yonemura, A, (ed.), Masterful Illusions: Japanese Prints from the Anne van Biema Collection. Seattle: Arthur Sackler Gallery, Smithsonian, pp 15-23
Takemoto Gidayu and the Individualistic Spirit of Osaka Theatre
Gerstle, Andrew (1999). In: McClain, James L., (eds.) and Wakita, O, (eds.), Osaka: the Merchant's Capital of Early Modern Japan. Ithaca, N.Y.: Cornell University Press, pp 104-124