Yuxi Pan
Key information
- Department
- School of Arts
- Email address
- 714232@soas.ac.uk
- Thesis title
- Picturing a Social Aesthetics in the Mongol World: Horses in the Art and Visual Culture of the Yuan Dynasty (c.1206-1368)
- Internal Supervisors
- Professor Shane McCausland & Professor Stacey Pierson
Biography
Supported by the School of Arts Tim Liang Scholarship, Yuxi Pan's doctoral research focuses on the art and archaeology of the Mongol Empire.
Her Ph.D. project explores the social aesthetics inherent in the representation of horses in the art and visual culture of Yuan China and the broader Mongol Empire. Her research also examines the global transmission of iconographies, images, and artifacts during the late medieval to early modern periods. Before embarking on her Ph.D., she served as an art writer, curator, and researcher.
At Beijing's Red Brick Art Museum, she served as Head of Library and Archives, where she spearheaded extensive research, expansion, and digitization of the museum's collection of contemporary art books and archives. She contributed many exhibition reviews to publications like The Art Newspaper China.
Yuxi curatorial project, 'Global Echoes: An Anthropology of Sound,' achieved recognition as a finalist for the 2019 'Research-Based Curatorial Project Prize' awarded by the OCAT Institute in Beijing. She earned an MA in History of Art from the Courtauld Institute of Art and a BA in Museology from Fudan University, Shanghai.
Research interests
Yuxi is primarily interested in exploring the phenomenon of intermedia and intercultural exchange in the art and visual culture of the Mongol Empire. This focus entails examining how artistic practices and visual aesthetics evolved within the Mongol Empire, spanning diverse regions and cultures under Mongol rule.
Additionally, Yuxi also investigate how contemporary artists engage with intermedia approaches and transcultural exchanges.