Curator Tour: South Indian Modern and Contemporary Art Join exhibition curator, Jana Manuelpillai, and discover more in this landmark exhibition on the Madras College of Arts.
Grievances of Indian garment workers highlight challenges in new labour codes, according to report The researchers examined 75 disputes across three regional clusters, namely Gurugram, in the National Capital Region, Bengaluru in Karnataka, and Tiruppur in Tamil Nadu, with the view of mapping industrial relations and disputes in the Indian garment industry.
Enhancing women’s access to transitional justice in Timor-Leste Younger generations in Timor-Leste can now learn the stories of the many forgotten women who endured grave human rights violations during the struggle for independence.
International Women’s Day 2023 Fascinating and feisty women from SOAS Special Collections to celebrate International Women’s Day and Women’s History Month 2023.
New archive access project marks the 50th Anniversary of SOAS Library On the eve of the SOAS Library's 50th anniversary, find out more about the building designed by Denys Lasdun and Grade II Listed since 2011.
Locating Voices of Black, Indigenous and People of Colour in 19th Century Missionary Periodicals / Part 2 Dr Joanne Davis reflects on the completion of a successful collaborative research project, BIPOC Voices in the Victorian Periodical Press, which has recently launched on One More Voice.
Factional-Ideological Conflicts in Chinese Politics: To the Left or to the Right? Join Dr Olivia Cheung at the book launch of her new book, "Factional-ideological Conflicts in Chinese Politics: To the Left or to the Right?"
SOAS Alumni Event in New York City An opportunity for alumni to meet with Professor Laura Hammond, Pro-Director for Research and Knowledge Exchange and to hear more about establishing an alumni group in New York.
Seized by Art: Grasping Untimely Art and Politics in the 1960s with Yoshio Nakajima Examining the pivotal yet overlooked career of the “Japanese artist from Sweden,” Yoshio Nakajima, Marotti considers the relations of art, politics, and violence in the 1960s and the very possibilities of art.