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Development of a user manual on participatory biocultural documentation to facilitate local engagement in place-based climate efforts for application across the IUCN global network (1400 organisations across 160 countries).

A multi-year and interdisciplinary project that explores patterns of religious diversity in Sichuan from the 1800 to today, and relocates Sichuan from the periphery to the centre of the study of Chinese religions.

Circumambulating Objects: on Paradigms of Restitution of Southeast Asian Art (CO-OP) assembles individuals across the arts, culture and heritage fields to question entrenched systems of valuation, ownership, replication, collecting and display as these are brought into relief through restitution processes today.

This 4-day British Academy Writing Workshop and 6-months of mentorship sought to amplify the voices of academic women writing about Hausa cultural studies in Northern Nigeria by providing support in revising research in preparation for publication.

African Screen Worlds: Decolonising Film and Screen Studies’ (2019-2025) is an international, European Research Council-funded research project led by Professor Lindiwe Dovey that explores in particular Africans’ contemporary contributions to diverse, complex screen worlds.

In the aftermath Global Financial Crisis, the world entered a period of transition, prompting crucial questions about the trajectory of global capitalism. Matteo Giordano highlights some of the key economic analyses from SOAS scholars.

The Centre for Pan-African Studies invites you to the book launch 'Insurgent Feminism: Writing War' (Daraja Press, 2024). The book brings together 10 years of writing on Warscapes magazine through the lens of gender and sexuality, and advancing a new paradigm of war writing by focusing on gender.

Come along for a tour of the SOAS Gallery's current exhibition 'Painting Freedom: Indian modernism and its rebels' from a collector's perspective.

Rethinking the Contemporary Art of Iran, edited by Hamid Keshmirshekan, seeks to articulate an alternative narrative of Iranian art in recent times, diverging from the prevalent portrayals often found in publications derived from exhibitions or collections in Western Europe and North America.